Metropolitan Museum: part 4 – Italian Painter, about 1540 - Portrait of a Man in a Fur-Trimmed Coat
Italian Painter, about 1540: Lombard Oil on canvas; 38 3/8 x 29 1/2 in. (97.5 x 74.9 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 4 Ответы
Может быть в годе создания ошибка? Посмотрите, какая у мужчины прическа. В то время и возможности не было так подстричь, да и мода не та, и пальто с фигурными отворотами
Атрибуция взята с сайта музея, но ошибка, конечно, не исключена
Не только была возможность так стричь, но и мода такая была. Взгляните на портреты Тинторетто, Тициана или Мороне
А на бороды моду ввел Франциск I после того, как получил увечье на лице.
You cannot comment Why?
The man’s attire immediately conveys status and wealth. He wears a dark coat lavishly trimmed with fur – likely sable or similar valuable pelt – which dominates the visual field. The texture of the fur is rendered with considerable detail, suggesting an appreciation for materiality and luxury. Beneath the coat, a starched white ruff frames his neck, a common marker of refinement during the period. His hands are gloved in fine fabric, further reinforcing the impression of privilege.
In his left hand, he holds a sheet of paper or parchment, partially obscured by his fingers. The presence of this document is significant; it could represent legal documents, musical scores (given the context of the era), or perhaps a personal letter – all suggesting intellectual pursuits and/or involvement in affairs beyond the everyday.
The man’s facial features are characterized by a strong jawline, prominent nose, and closely cropped beard and mustache. His expression is serious, bordering on stern; theres an absence of overt emotion that lends him an air of authority and perhaps even austerity. The meticulous rendering of his hair and facial hair demonstrates the artist’s skill in capturing realistic detail.
The overall composition suggests a deliberate attempt to portray a man of importance – a patron, a scholar, or someone holding a position of power within society. The dark background serves to isolate the figure, drawing attention solely to him and emphasizing his individual significance. The paintings subtexts revolve around themes of wealth, status, intellect, and perhaps even a degree of self-importance. It is likely intended as a testament to the sitter’s identity and position in the world.