Metropolitan Museum: part 4 – Sir Thomas Lawrence - The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)
Sir Thomas Lawrence: English, Bristol 1769–1830 London 1823; Oil on canvas; 30 7/8 x 30 1/8 in. (78.4 x 76.5 cm)
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The younger girl, positioned on the left, exhibits a flushed complexion and a direct gaze that engages the viewer. Her hand is raised near her mouth, potentially mimicking speech or concealing a giggle. The older child, to the right, displays a more animated expression with one arm lifted in a gesture of apparent excitement or perhaps slight mischief.
The children are dressed in delicate white garments trimmed with lace and ribbons, indicative of their privileged social standing. A thin gold chain adorns the neck of the girl on the right, further emphasizing this status. The fabrics drape softly around them, contributing to an overall impression of luxury and refinement.
Behind the figures lies a blurred landscape rendered in muted blues and greens, suggesting a distant vista that remains indistinct. This background serves to isolate the children within the foreground, drawing attention solely to their interaction. The circular format reinforces this sense of isolation while simultaneously creating a feeling of completeness and unity.
The use of light is significant; it illuminates the faces and upper bodies of the girls, highlighting their features and emphasizing their innocence. The rosy hues on their cheeks contribute to an impression of vitality and health. The overall effect is one of idealized childhood, capturing a fleeting moment of familial affection within a context of considerable wealth and social importance. Subtly, the painting conveys not only a portrait of two young girls but also a statement about the values associated with childhood innocence, beauty, and aristocratic lineage during the period in which it was created.