Martin van Meytens the Younger – Count Giacomo Durazzo (1717–1794) in the Guise of a Huntsman with His Wife (Ernestine Aloisia Ungnad von Weissenwolff, 1732–1794) Metropolitan Museum: part 4
Metropolitan Museum: part 4 – Martin van Meytens the Younger - Count Giacomo Durazzo (1717–1794) in the Guise of a Huntsman with His Wife (Ernestine Aloisia Ungnad von Weissenwolff, 1732–1794) Martin van Meytens the Younger: Swedish, 1695–1770 probably early 1760s; Oil on canvas; 90 1/8 x 75 in. (228.9 x 190.5 cm)
The composition presents a man and woman seated within a carefully constructed landscape setting. The man, positioned on the left, is dressed in a vibrant red hunting coat with elaborate gold detailing, suggesting wealth and status. He holds a small white dog on his lap, its presence adding an element of domesticity to what appears to be a staged outdoor scene. A hunting horn and rifle are leaning against a tree behind him, reinforcing the assumed role of a huntsman. The woman sits beside him, adorned in a pale blue gown with delicate lace detailing. She holds a length of pink ribbon, her gaze directed towards the viewer, conveying an air of poised elegance. A wide-brimmed hat rests on her lap, further emphasizing her fashionable attire. The placement of her hand suggests a moment captured mid-action, though the gesture itself seems somewhat contrived. The background is rendered with a soft focus, depicting a dense forest through which light filters, creating an atmosphere of idyllic tranquility. At the lower right corner, a hunting dog and a pheasant are depicted on the ground, seemingly part of the staged hunt. The positioning of these elements contributes to the overall narrative of leisure and aristocratic pursuits. The painting’s subtexts revolve around themes of status, wealth, and carefully constructed identity. The assumed role of the huntsman likely signifies not only an appreciation for outdoor activities but also a display of power and control over nature – a common symbol of aristocracy during this period. The womans presence alongside him reinforces her position within his social sphere, while her elegant attire underscores their shared affluence. The overall effect is one of deliberate artifice; the scene feels less like a spontaneous moment and more like a carefully orchestrated display designed to project an image of refined leisure and aristocratic standing. The meticulous detail in the clothing and accessories, coupled with the idealized landscape backdrop, suggests a desire to present a particular narrative about the subjects’ lives – one that emphasizes their social position and cultivated tastes.
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Martin van Meytens the Younger - Count Giacomo Durazzo (1717–1794) in the Guise of a Huntsman with His Wife (Ernestine Aloisia Ungnad von Weissenwolff, 1732–1794) — Metropolitan Museum: part 4
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The woman sits beside him, adorned in a pale blue gown with delicate lace detailing. She holds a length of pink ribbon, her gaze directed towards the viewer, conveying an air of poised elegance. A wide-brimmed hat rests on her lap, further emphasizing her fashionable attire. The placement of her hand suggests a moment captured mid-action, though the gesture itself seems somewhat contrived.
The background is rendered with a soft focus, depicting a dense forest through which light filters, creating an atmosphere of idyllic tranquility. At the lower right corner, a hunting dog and a pheasant are depicted on the ground, seemingly part of the staged hunt. The positioning of these elements contributes to the overall narrative of leisure and aristocratic pursuits.
The painting’s subtexts revolve around themes of status, wealth, and carefully constructed identity. The assumed role of the huntsman likely signifies not only an appreciation for outdoor activities but also a display of power and control over nature – a common symbol of aristocracy during this period. The womans presence alongside him reinforces her position within his social sphere, while her elegant attire underscores their shared affluence.
The overall effect is one of deliberate artifice; the scene feels less like a spontaneous moment and more like a carefully orchestrated display designed to project an image of refined leisure and aristocratic standing. The meticulous detail in the clothing and accessories, coupled with the idealized landscape backdrop, suggests a desire to present a particular narrative about the subjects’ lives – one that emphasizes their social position and cultivated tastes.