Metropolitan Museum: part 4 – Henri Regnault - Salomé
Henri Regnault: French, Paris 1843–1871 Buzenval 1870; Oil on canvas; 63 x 40 1/2 in. (160 x 102.9 cm)
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The woman’s attire is noteworthy. She wears a loose-fitting garment of shimmering fabric, likely silk or a similar material, which drapes around her body, revealing glimpses of skin beneath. The sleeves are short, exposing upper arms adorned with what seem to be bracelets. Her dark, voluminous hair cascades around her shoulders and chest, contributing to an overall impression of exoticism and sensuality. Bare feet are visible below the hem of her garment, grounding her within the scene.
The background is dominated by a large, golden curtain or tapestry, which creates a sense of depth and enclosure. The texture of this backdrop is rendered with considerable detail, suggesting folds and creases that play with light and shadow. A patterned rug lies beneath the stool, its intricate design adding another layer of visual complexity to the composition.
The lighting in the painting is warm and diffused, highlighting the sheen of the fabrics and the contours of the figure’s body. The artist has employed a palette dominated by golds, yellows, and browns, which reinforces the impression of opulence and Eastern aesthetics.
Subtleties within the arrangement invite interpretation beyond a simple portrait. The presence of the knives in the dish introduces an element of potential danger or transgression, hinting at a narrative that extends beyond mere display. The woman’s gaze is direct and unwavering, suggesting confidence and perhaps even defiance. Her posture and expression convey a sense of power, challenging conventional notions of female passivity. The overall effect is one of alluring mystery, prompting contemplation about the figures identity and her role within an implied story.