Metropolitan Museum: part 4 – Style of Rembrandt - Young Woman with a Red Necklace
Style of Rembrandt: Dutch, about 1645 ca. 1645; Oil on wood; Overall, with added strips, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see an intentional manipulation of light and shadow – chiaroscuro – which defines the works character. A strong beam illuminates the left side of her face, highlighting the texture of her skin and the subtle nuances of color in her complexion. The right side falls into deep shadow, obscuring detail and contributing to a sense of introspection or melancholy. This contrast isn’t merely decorative; it shapes our perception of the subjects emotional state.
The artist has rendered the woman’s hair with loose curls escaping from beneath a yellow headband. Her features are realistically portrayed, yet possess a certain idealization – the nose is straight, the lips full, and the eyes large and expressive despite their downcast direction. The red necklace around her neck serves as a focal point, its vibrant color contrasting sharply with the muted tones of her skin and clothing. It draws attention to her throat and adds a touch of elegance or perhaps even symbolic significance – perhaps indicating status or marital availability.
The woman’s expression is complex. While theres an element of sadness conveyed by her lowered gaze, it isnt overtly sorrowful. There’s also a hint of vulnerability, but not necessarily weakness. The slight parting of her lips suggests a suppressed emotion – perhaps a sigh, a silent thought, or a fleeting moment of reflection.
The brushwork is loose and visible, particularly in the rendering of the hair and drapery. This technique contributes to a sense of immediacy and naturalism, suggesting that the portrait was executed with relative speed and spontaneity. The overall effect is one of quiet dignity and psychological depth; the artist has captured not just a likeness but also an impression of inner life.