Metropolitan Museum: part 4 – Washington Allston - The Spanish Girl in Reverie
Washington Allston: American, Georgetown, South Carolina 1779–1843 Cambridgeport, Massachusetts 1831; Oil on canvas; 30 x 25 in. (76.2 x 63.5 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape itself is rendered in a manner that emphasizes its grandeur and remoteness. The mountains are shrouded in atmospheric haze, creating a sense of vastness and mystery. The foreground features rocky terrain interspersed with patches of vegetation, contributing to a feeling of wildness and untamed nature. Light plays an important role; it illuminates the woman’s face and upper body while leaving much of the landscape in shadow, enhancing the overall mood of melancholy and solitude.
The subtexts within this work seem to revolve around themes of contemplation, longing, and perhaps even displacement. The young womans distant gaze suggests a mind preoccupied with thoughts beyond her immediate surroundings. Her clothing, though seemingly simple, hints at a cultural or social background that might be different from the ruggedness of the landscape she inhabits. The dog’s presence offers a touch of comfort but does not dispel the sense of isolation.
The artists choice to place the figure within such a dramatic and expansive setting implies a connection between her inner state and the natural world. It is possible that the mountains symbolize challenges or aspirations, while the shadows represent uncertainties or hidden emotions. The overall effect is one of quiet drama, inviting viewers to ponder the woman’s thoughts and the circumstances that have brought her to this solitary place.