Metropolitan Museum: part 4 – Henry Inman - The Young Fisherman
Henry Inman: 1801–1846 ca. 1829; Oil on wood; 13 1/4 x 9 5/8 in. (33.7 x 24.4 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background is characterized by a hazy landscape receding into distance; trees line the horizon, and a body of water can be discerned, though its details are softened by atmospheric perspective. The lighting is dramatic, with a strong light source illuminating the boy’s face and upper torso while leaving much of the surrounding foliage in shadow. This contrast emphasizes his presence and draws attention to his expression – a mixture of curiosity and perhaps innocent pride.
The paintings subtexts revolve around themes of childhood, innocence, and connection to the natural world. The boy’s bare feet and simple attire suggest a life lived close to the land, unburdened by societal conventions or material possessions. His upward gaze implies wonder and a sense of discovery, hinting at an unspoiled perspective on the world. The captured fish serves as both a symbol of sustenance and a tangible representation of his interaction with nature – a small victory achieved through skill and patience.
The subdued color palette, dominated by earthy tones and greens, reinforces the painting’s pastoral atmosphere. The darkness surrounding the boy creates a sense of isolation, yet also highlights his vitality and presence within this natural environment. Overall, the work evokes a feeling of nostalgia for a simpler time and celebrates the inherent beauty and potential found in childhood experiences.