Metropolitan Museum: part 4 – F. Luis Mora - Flowers of the Field
F. Luis Mora: 1874–1940 1913; Oil on canvas; 40 x 36 in. (101.6 x 91.4 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
One girl stands behind the table, her gaze directed downwards towards the vase. She appears to be arranging or adjusting the flowers within, her posture suggesting concentration and perhaps a degree of responsibility. Her white dress, subtly embroidered at the collar and sleeves, contrasts with the darker tones of the background and the blue-checked fabric draped over the table.
The second girl sits in the foreground, holding a smaller bouquet of wildflowers. She looks directly out towards the viewer, her expression one of quiet observation or perhaps slight apprehension. The blue ribbon adorning her hair echoes the pattern on her dress, creating visual harmony within the composition. Scattered petals lie upon the tablecloth, adding to the sense of natural abundance and fleeting beauty.
The artist’s use of light is particularly noteworthy. It illuminates the girls faces and clothing, highlighting their youthful features while casting areas of shadow that contribute to a sense of depth and realism. The soft lighting also lends an air of tranquility and nostalgia to the scene.
Subtly, the painting explores themes of childhood innocence, domesticity, and the appreciation of nature’s simple pleasures. The girls interaction with the flowers suggests a connection to the natural world and perhaps a passing-down of traditional skills or values. The composition evokes a sense of quiet contemplation, inviting the viewer to reflect on the ephemeral beauty of youth and the enduring power of familial bonds. There is an underlying feeling of stillness; time seems suspended within this moment.