Metropolitan Museum: part 4 – Hans Holbein the Younger - Erasmus of Rotterdam
Hans Holbein the Younger: German, Augsburg 1497/98–1543 London 1528–32; German; Oil on linden panel; 7 1/4 x 5 9/16 in. (18.4 x 14.2 cm); painted surface 6 15/16 x 5 1/2 in. (17.6 x 14 cm)
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The man’s attire is significant. He wears a dark, voluminous garment lined with fur, suggesting status and perhaps scholarly affiliation. The black cap atop his head further reinforces this sense of intellectual gravitas. A small, rectangular label affixed to the upper left corner of the composition draws attention; its inscription remains illegible in the image but implies an intentional act of identification or annotation by the artist or a later hand.
The overall effect is one of intense scrutiny and psychological depth. The man’s gaze is directed slightly downward, conveying a sense of introspection rather than direct engagement with the viewer. Theres a certain weariness evident in his expression; it isnt an unpleasantness but suggests a life lived intensely, marked by intellectual labor and perhaps some degree of disappointment or disillusionment.
The artist’s meticulous rendering of details – the texture of the fur, the subtle variations in skin tone, the individual strands of hair – contributes to a remarkable realism. This level of detail serves not merely as technical display but also enhances the sense that we are presented with an authentic and complex individual. The composition eschews overt symbolism or elaborate ornamentation, instead focusing on a direct and unflinching portrayal of character. The restrained color palette reinforces this feeling of solemnity and intellectual seriousness.