National Gallery of Art – Matthias Grunewald - The Small Crucifixion
C. 1511/1520. Oil on panel, 61.3 x 46 cm. Matthias Grunewald (German, c. 1475/1480 1528). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the crucified figure are three mourners. To the left stands a woman draped in dark green robes, her face obscured by shadow and her posture conveying deep lamentation. Beneath her kneels another figure enveloped in a crimson cloak, their bowed head suggesting utter despair. On the right, a man with flowing blonde hair and a pale robe gestures upwards, his expression a mixture of grief and perhaps supplication or pleading. The contrast between his lighter attire and the somber tones surrounding him draws attention to his role within the scene.
The background is dominated by a deep, almost impenetrable blue-green darkness, punctuated only by a single star visible in the upper right corner. This limited palette enhances the emotional intensity of the foreground figures and isolates the central event from any sense of broader context or landscape. The rocky outcrop on the left provides a visual anchor but also contributes to the feeling of confinement and desolation.
The artist’s meticulous attention to detail, particularly in the depiction of the bodys suffering, suggests an intention to evoke empathy and contemplation within the viewer. The realism employed moves beyond mere representation; it aims for a visceral impact that transcends simple narrative illustration. The positioning of the mourners – one standing as a silent witness, one kneeling in abject grief, and one seemingly appealing to a higher power – hints at different facets of human response to tragedy and loss. The overall effect is not celebratory or triumphant but rather deeply mournful, emphasizing the pain and sacrifice inherent within the depicted event.