National Gallery of Art – Rogier van der Weyden - Portrait of a Lady
C. 1460. Oil on panel, painted surface: 34 x 25.5 cm. Rogier van der Weyden (Netherlandish, 1399/1400 1464). Credit: Courtesy National Gallery of Art, Washington.
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She wears an elaborate headdress composed of a sheer veil draped over intricately styled hair, suggesting wealth and status. A golden embellishment is visible near the forehead, hinting at further ornamentation. The clothing consists of a dark, possibly black, gown with a white undershirt visible at the neckline. A vibrant red belt cinches the waist, adorned with an ornate buckle that draws the eye to this focal point. Her hands are clasped gently in front of her, positioned low enough to reveal a ring on one finger – another indicator of affluence and marital status.
The lighting is soft and diffused, illuminating the face evenly while allowing for subtle gradations of shadow that define form. The artist’s use of light contributes to an overall sense of serenity, despite the womans somewhat melancholic expression.
Beyond a straightforward representation, the painting conveys layers of meaning. The formality of the pose and attire suggests a commissioned portrait intended to project social standing. The clasped hands might symbolize modesty or piety, common virtues emphasized in contemporary depictions of women. However, the slight downturn of her mouth and the intensity of her gaze introduce an element of complexity; they suggest introspection or perhaps even a quiet sadness that transcends the surface presentation of wealth and propriety. The dark background serves to isolate the figure, emphasizing her presence and drawing attention to her individual character. Overall, the work is not merely a likeness but a carefully constructed image designed to communicate something about the sitter’s identity within the social context of her time.