National Gallery of Art (left panel) – Pietro Lorenzetti - Madonna and Child with Saint Mary Magdalene and Saint Catherine
C. 1330/1340. Tempera on panel transferred to canvas, left panel: 92 x 44 cm. Pietro Lorenzetti (Italian, active c. 1306 probably 1348). Credit: Courtesy National Gallery of Art, Washington.
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The figure’s attire consists of a long, flowing robe rendered in vibrant red, a color traditionally associated with martyrdom and royalty. The fabric drapes naturally, suggesting volume and movement despite the stylized rendering characteristic of the period. The face is characterized by large eyes that gaze steadily forward, conveying an expression of quiet contemplation or perhaps gentle sorrow. A subtle modeling of the features creates a sense of depth and realism within the otherwise flattened pictorial space.
In the figure’s hands, held close to the body, rests a small vessel – likely alabaster – from which a substance appears to be escaping. This detail introduces an element of narrative ambiguity; it could symbolize penitence, offering, or perhaps a reference to specific theological concepts related to purity and sacrifice. The gesture itself is one of reverence and containment, suggesting both fragility and significance.
The gold background, partially visible within the niche, contributes to the overall sense of otherworldliness and elevates the figure’s status beyond the earthly realm. The limited palette – primarily red, gold, and flesh tones – reinforces a feeling of austerity and spiritual focus. The artists use of line is deliberate, outlining forms with precision while allowing for subtle gradations in tone to suggest volume.
The truncated nature of the composition hints at a larger work, suggesting that this panel likely formed part of a polyptych or altarpiece. The architectural setting implies a sacred space, further emphasizing the figure’s devotional role and intended function within a religious context.