National Gallery of Art (middle panel) – Workshop of Albrecht Altdorfer - The Fall of Man
C. 1535. Oil on hardboard transferred from panel, middle panel: 39 x 31.5 cm. Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman holds an apple in her outstretched hand, her expression conveying a mixture of apprehension and defiance. Her eyes are fixed on the viewer, creating a direct connection that implicates them within the unfolding drama. The foliage surrounding the figures is dense and meticulously rendered, contributing to a sense of enclosure and abundance. A profusion of apples hangs from the branches overhead, their vibrant red hues contrasting with the predominantly green palette.
The artist’s use of light emphasizes the physicality of the bodies, highlighting the contours of muscle and skin while casting shadows that suggest depth and volume. The figures are not idealized in a classical sense; rather, they possess a certain earthiness and vulnerability. Their poses are somewhat stiff, lacking the dynamism often associated with depictions of human form.
Subtleties within the scene hint at deeper meanings. The placement of the tree, its branches reaching towards the heavens, suggests a symbolic connection to divine authority and forbidden knowledge. The gesture of the man, combined with his upward gaze, implies an element of doubt or questioning that precedes the act of transgression. The woman’s direct engagement with the viewer introduces a layer of moral complexity, inviting contemplation on themes of temptation, free will, and responsibility.
The overall effect is one of quiet drama, capturing a pivotal moment in a narrative of loss and consequence. The meticulous detail and symbolic richness suggest an intention to convey not merely a literal depiction but also a profound meditation on the human condition.