National Gallery of Art – Jean Simeon Chardin - Still Life with Game
Probably 1750s. Oil on canvas, 49.6 x 59.4 cm. Jean Simeon Chardin (French, 1699 1779). Credit: Courtesy National Gallery of Art, Washington.
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The lighting is subdued and directional, originating from an unseen source above and to the left. This light highlights the textures of the feathers and fur while casting deep shadows that contribute to the overall sense of quietude and solemnity. A small citrus fruit, partially obscured by the pheasant’s wing, introduces a touch of color variation and adds depth to the arrangement.
The background is dark and indistinct, allowing the viewers focus to remain firmly on the subjects themselves. The artist has employed a muted palette, relying primarily on earth tones – browns, grays, and ochres – which lends the work a sense of restraint and dignity.
Beyond the straightforward depiction of hunted animals, the painting evokes reflections on mortality and the cycle of life and death. The stillness of the subjects contrasts with their recent vitality, prompting contemplation about the transient nature of existence. Theres an absence of any human presence; this emphasizes the inherent beauty and fragility of the natural world, stripped bare of narrative or sentimental embellishment. The careful arrangement suggests a reverence for the subject matter, elevating what might otherwise be considered commonplace to a level of artistic significance. It is not merely a record of sustenance but rather a meditation on natures bounty and its inevitable conclusion.