National Gallery of Art – Ugolino Lorenzetti - Saint Catherine of Alexandria
Probably c. 1335. Tempera on panel, 73.7 x 42.1 cm. Ugolino Lorenzetti (Italian, active c. 1320/1360). Credit: Courtesy National Gallery of Art, Washington.
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The figure’s attire consists of a crimson cloak draped over a white undergarment, adorned with a circular medallion displaying intricate geometric patterns. The cloak is fastened at the shoulder with an elaborate clasp. Her hands are clasped in front of her, holding a slender reed pen, suggesting intellectual or spiritual pursuits.
Dominating the lower portion of the composition is a large, stylized wheel, its spokes radiating outwards. This object appears to be the instrument of torture she endured, yet it does not evoke immediate distress; rather, theres an air of acceptance and quiet dignity. The wheel’s color contrasts with her garments, drawing attention to this symbolic element.
The artist employed a limited palette dominated by warm tones – reds, golds, and yellows – which contribute to the overall sense of solemnity and reverence. The gilding on the background creates a luminous effect, emphasizing the figures spiritual elevation. The rendering style is characterized by a degree of stylization; anatomical accuracy takes a backseat to conveying symbolic meaning and creating an idealized representation.
Subtly, the painting explores themes of faith, suffering, and resilience. The wheel, typically associated with pain and martyrdom, is presented without overt violence, suggesting a triumph over adversity through spiritual fortitude. Her calm demeanor implies not only endurance but also a profound inner peace derived from her beliefs. The presence of the pen might allude to her intellectual prowess and devotion to learning, adding another layer to her symbolic representation as a virtuous and learned woman.