Edward Hicks – Peaceable Kingdom National Gallery of Art (Washington)

The composition presents a pastoral scene imbued with symbolic weight. A landscape unfolds, dominated by lush foliage and a winding waterway that recedes into the distance. Along the riverbank, figures in what appear to be historical or ceremonial attire are arranged in a procession; their expressions are difficult to discern, but they seem engaged in some form of ritualistic movement.
The foreground is populated by an unusual gathering of animals – a bull, a lion, a tiger, a leopard, a bear, and various smaller creatures – all seemingly coexisting peacefully. Notably, several infants or young children interact with these animals without apparent fear or aggression; one sits atop the lion’s mane, another rests near the bull, while others are nestled amongst the other beasts. This juxtaposition of wildness and innocence suggests a deliberate attempt to portray harmony and gentleness.
The artists use of light is significant. A soft, diffused glow illuminates the central group of animals and children, drawing attention to their interaction. The background, conversely, appears somewhat darker and less detailed, creating depth and emphasizing the foreground’s symbolic importance.
Color plays a crucial role in establishing mood. Earth tones – greens, browns, yellows – predominate, evoking a sense of natural abundance and tranquility. The red garments worn by some of the children introduce a subtle element of vibrancy and perhaps allude to themes of royalty or divine grace.
The overall effect is one of idealized serenity. It seems that the artist intended to convey a vision of a world where conflict is absent, and where human innocence can thrive alongside even the most formidable creatures. The scene’s subtext likely speaks to aspirations for social harmony, perhaps reflecting a desire for peaceful coexistence between different groups or factions within society. The presence of the procession in the background could represent an established order or tradition that contrasts with the idyllic freedom depicted in the foreground.