National Gallery of Art – Gerbrand van den Eeckhout - The Levite at Gibeah
Probably late 1650s. Oil on canvas, 96.5 x 121.9 cm. Gerbrand van den Eeckhout (Dutch, 1621 1674). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the central figure, a woman sits on the ground, her face etched with sorrow and despair. She is draped in layered garments of blue and gold, which contrast sharply with the rough attire of the man beside her. A seated male figure, adorned in elaborate robes and a turban-like head covering, occupies the right side of the scene. His posture conveys an air of resignation or perhaps weary acceptance, his hand resting on his chin in a gesture of contemplation.
Behind these figures, a donkey is tethered to what seems to be a cart laden with provisions – baskets and other containers are visible. A fortified structure rises in the background, partially obscured by foliage and atmospheric haze. The sky above is turbulent, painted with swirling pinks and grays that contribute to the overall sense of unease and impending doom.
The artist’s use of chiaroscuro – the stark contrast between light and shadow – intensifies the emotional weight of the scene. Light falls primarily on the faces of the figures, highlighting their expressions of anguish and concern. The shadows deepen the surrounding landscape, creating a palpable atmosphere of foreboding.
Subtleties in the arrangement suggest a narrative fraught with conflict and moral ambiguity. The juxtaposition of the man’s authoritative stance with his bare feet implies vulnerability or perhaps a fall from grace. The womans grief suggests a profound loss or injustice suffered. The seated figure, seemingly detached yet present, might represent a witness to these events, or possibly an instigator of them. The presence of the dog adds another layer of complexity; its loyalty and instinct could symbolize either protection or impending danger. Overall, the painting evokes themes of suffering, justice, and the complexities of human relationships within a hierarchical social structure.