National Gallery of Art (center, left, and right panels) – Master of the Starck Triptych - The Raising of the Cross
C. 1480/1490. Oil on panel. Master of the Starck Triptych (German, active c. 1480 c. 1495). Credit: Courtesy National Gallery of Art, Washington.
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The central panel focuses on a pivotal moment: the raising of a large wooden structure. Here we see a throng of individuals actively engaged in this task. Their postures are strained, their faces etched with exertion. A palpable tension permeates the scene; the upward thrust of the cross creates a dynamic diagonal that draws the eye towards the figure suspended upon it. The landscape behind is rendered with considerable detail, including a distant cityscape and turbulent skies, contributing to the overall sense of drama and scale. At the foot of the structure lies a skull, a stark reminder of mortality and the consequences of transgression.
The right panel shifts the focus to a procession of mounted figures. They appear to be soldiers or guards, their attire suggesting authority and power. The landscape here is more expansive, with rolling hills and dense foliage providing a backdrop for their journey. A sense of order and control prevails in this scene, contrasting sharply with the emotional intensity of the central panel. The inclusion of heraldic symbols on a shield at the bottom right suggests an association with a specific noble family or patron.
Subtleties within the work suggest layers of meaning beyond the immediate narrative. The meticulous rendering of textures – from the folds of fabric to the roughness of stone – demonstrates a keen observational skill and contributes to the painting’s realism. The use of light and shadow is particularly effective in highlighting key figures and creating a sense of depth. The inclusion of animals, such as dogs and horses, adds an element of domesticity and reinforces the connection between human actions and the natural world.
The overall effect is one of profound emotional resonance, inviting viewers to contemplate themes of suffering, sacrifice, and redemption. The triptych’s structure – the juxtaposition of mourning, action, and procession – suggests a cyclical narrative, encompassing both individual sorrow and broader societal implications.