Probably Antwerp 16th Century – Crested Coat of Arms * National Gallery of Art (Washington)

The composition presents a heraldic achievement centered around a coat of arms, rendered against a dark, nearly black background. The shield itself is divided diagonally by a thick band, creating two distinct fields: one gold and the other a muted green-grey. This division suggests a blending or union of lineages, a common motif in noble crests signifying alliances or inheritances.
Above the shield, a swan appears, depicted in white with meticulous attention to feather detail. The bird is positioned as if emerging from the upper edge of the composition, its neck gracefully arched and bearing a coronet upon its head. A banner unfurls behind the swan, displaying portions of text – TART SVIS and VENU. These fragments likely form part of a motto or inscription associated with the family represented by the arms. The choice of a swan carries symbolic weight; swans often represent purity, grace, nobility, and sometimes even faithfulness. The coronet further emphasizes the elevated status of the individual or family.
Flanking the central heraldic elements are elaborate foliate designs, executed in gold leaf. These decorative flourishes serve not only as visual embellishment but also frame the core symbolism, reinforcing a sense of prestige and importance. Their swirling patterns create a dynamic energy around the more static shield and swan.
The lower portion of the composition features another banner, partially obscured, bearing the inscription DE HONDECOVTR. This likely identifies the family name associated with the depicted arms. The reversed nature of the image – the fact that it is presented as a reverse – suggests this might be a depiction intended for internal recognition or perhaps a less formal presentation than one typically displayed publicly.
The overall effect conveys an impression of established lineage, refined taste, and considerable social standing. The limited color palette, dominated by gold, white, green-grey, and black, contributes to the painting’s solemnity and dignified character.