National Gallery of Art (left panel) – Workshop of Albrecht Altdorfer - The Rule of Bacchus
C. 1535. Oil on hardboard transferred from panel, left panel: 39 x 15.9 cm. Credit: Courtesy National Gallery of Art, Washington.
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Below him, a multitude of figures are engaged in unrestrained celebration. Their bodies are rendered with varying degrees of anatomical detail, some appearing robust and active while others lie languidly on the ground, seemingly overcome by intoxication or pleasure. The artist has employed a palette that emphasizes warm flesh tones contrasted against a darker, stormy sky above. This creates a visual separation between the elevated figure and the earthly revelry.
The arrangement suggests a power dynamic – the central figure appears to be both observing and influencing the scene below. The outstretched arms of the figures in the foreground convey a sense of yearning or supplication towards this higher entity. Their expressions, though difficult to discern precisely, seem to range from ecstatic joy to blissful surrender.
A subtle inscription at the top provides context, hinting at a narrative involving divine influence and indulgence. The overall effect is one of controlled chaos – a depiction of unrestrained pleasure tempered by an underlying sense of authority or consequence. The painting’s vertical format contributes to this feeling of hierarchy, drawing the viewers eye upwards towards the central figure and emphasizing his elevated status within the depicted world.