National Gallery of Art – Paul Cezanne - The Artist’s Son, Paul
1885/1890. Oil on canvas, 65.3 x 54 cm. Paul Cezanne (French, 1839 1906). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s handling of paint is notable; brushstrokes are visible and textured, contributing to a sense of solidity and weight in the figure. There is a distinct lack of blending, which lends a fragmented quality to the rendering of form. The face, while recognizable as human, lacks precise detail, with features simplified and somewhat flattened. This approach moves away from traditional portraiture’s emphasis on realistic representation, instead prioritizing an exploration of structure and volume.
The background is rendered in muted earth tones – ochres, browns, and greens – creating a sense of enclosure and depth. A vertical element, seemingly part of another painting or screen, occupies the right side of the canvas. Its blurred details and vibrant color contrast with the subdued palette of the figure and backdrop, drawing attention to its presence while maintaining an air of mystery regarding its content.
The overall effect is one of quiet contemplation. The boy’s posture and expression convey a sense of introspection or perhaps restrained emotion. The deliberate simplification of form and the textured application of paint suggest an interest in exploring the underlying structure of perception, rather than merely replicating outward appearances. Theres a subtle tension between the formality of the subjects clothing and the informality of the painting style, hinting at a complex relationship between appearance and essence.