Olav Trygvasson is chosen to be king of Oreting
Peter Nicolai Arbo (1831-1892)
Peter Nicolai Arbo – Olav Trygvasson is chosen to be king of Oreting
watercolour on paper
Location: Drammen Museum (Drammens Museum), Drammen.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
This painting depicts a pivotal moment of political and ceremonial transition within a Norse-inspired historical setting. Here, we see a central figure, a younger man clad in a red tunic and chainmail, standing at the focus of a gathered assembly of warriors. The composition is structured around the physical interaction between this youth and an older, authoritative figure dressed in heavy, fur-lined robes. This gesture – the elder reaching out toward the newcomer – suggests an act of investiture, recognition, or the formal bestowal of power.
The arrangement of the figures creates a sense of encirclement. The assembly is composed of heavily armed men, their presence marked by a vertical rhythm of spears and axes that frame the central protagonists. On the right, a warrior holds a prominent, brightly decorated blue shield, which serves as a visual anchor for the crowds collective gaze. The surrounding men are not merely spectators; their varied postures – some kneeling, some standing in vigilant repose, others leaning on weaponry – convey a state of communal witness and readiness to accept this new leadership.
Beyond the literal depiction of a coronation or election, several subtexts emerge from the brushwork and composition. There is a palpable tension between individual destiny and collective will. The central figure appears somewhat isolated despite being surrounded; his expression and posture suggest a weight of responsibility rather than mere triumph. This highlights the theme of legitimacy: the idea that authority must be validated by the community of peers (the thing or assembly) through ritualized consensus.
Furthermore, the artist utilizes a palette of earthy tones, heavy textures, and metallic glints to ground the scene in a sense of historical gravity. The contrast between the soft light of the sky and the hard edges of the weaponry evokes a world where political stability is inextricably linked to martial strength. The subtext here is one of survival and order; the selection of a leader is presented not just as a ceremony, but as a necessary fortification of the group against the chaotic forces implied by the presence of so many blades and shields.