1907 Trois femmes sous un arbre Pablo Picasso (1881-1973) Period of creation: 1889-1907

Here we see a composition fractured into geometric planes and angular forms, defying traditional perspective and spatial representation. The figures – seemingly three individuals – are not rendered realistically but rather as fragmented assemblages of shapes and lines. Their faces are stylized, almost mask-like, with large eyes that convey an unsettling stillness or perhaps introspection.
The color palette is dominated by muted earth tones – ochres, browns, grays, and blues – punctuated by occasional flashes of yellow. This limited range contributes to a sense of somberness and restraint. The application of paint appears deliberate, with visible brushstrokes adding texture and emphasizing the construction of form rather than its illusion.
The arrangement of figures suggests an intimate grouping, yet their disconnection through fragmentation creates a feeling of alienation or psychological distance. Theres a palpable tension between the desire for connection and the inability to fully bridge the gaps that separate them. The overlapping planes create ambiguity; it’s difficult to discern individual identities or establish clear relationships between the figures.
The overall effect is one of deconstruction, both visually and potentially emotionally. It seems as though the artist isnt interested in depicting a straightforward narrative but rather in exploring the complexities of perception, identity, and human interaction through a radical reimagining of representational techniques. The work evokes a sense of unease and invites contemplation on the nature of reality and the fragmented experience of modern life.