1900 Etre ou ne pas Иtre Pablo Picasso (1881-1973) Period of creation: 1889-1907

Here we see a drawing rendered in a monochromatic palette, predominantly browns and tans, with a palpable sense of distress conveyed through its agitated lines and limited tonal range. The composition is dominated by a figure rowing a boat across what appears to be a turbulent body of water. The arched top edge of the support frame immediately draws attention, creating an almost theatrical framing device for the scene within.
The artist’s handling of line is crucial in establishing the mood. Lines are not clean or precise; instead, they are frantic and overlapping, suggesting movement and instability. This technique contributes to a feeling of unease and potential peril. The figure itself is rendered with minimal detail, appearing almost skeletal, emphasizing vulnerability rather than individual identity. Its posture – leaning intensely into the rowing action – suggests immense effort and perhaps desperation.
The water’s surface is not depicted as calm or reflective; its a chaotic swirl of lines that mirror the emotional turmoil suggested by the figure. The horizon line is indistinct, further blurring the distinction between sea and sky, contributing to a sense of disorientation. A few dark shapes are visible on the distant horizon, possibly representing other boats or landmasses, but their ambiguity adds to the overall feeling of isolation.
The limited tonal range reinforces the somber atmosphere. The lack of bright colors amplifies the drawings emotional weight, suggesting hardship and struggle. The signature in the lower right corner is small and understated, almost as if the artist wishes to avoid detracting from the raw emotion conveyed by the image itself.
Overall, this drawing evokes a powerful sense of human vulnerability against an indifferent or even hostile natural environment. It’s not merely a depiction of someone rowing a boat; its a visual representation of struggle, perseverance, and perhaps a silent plea for rescue.