1920 Olga lisant assise dans un fauteuil1 Pablo Picasso (1881-1973) Period of creation: 1919-1930

Here we observe a monochrome depiction of a seated figure engaged in reading. The subject is positioned within what appears to be an upholstered armchair, its form largely obscured by the shadows and indistinct rendering characteristic of charcoal or graphite drawing. A sense of intimacy pervades the scene; the figure’s posture suggests quiet contemplation rather than public display.
The individuals face is turned slightly downwards, obscuring direct eye contact with the viewer. The focus seems to be on the book held close to their chest, its pages partially visible. This gesture implies a deep absorption in the text and a withdrawal from external stimuli. The hair falls loosely around the shoulders, contributing to an overall impression of relaxed informality.
The artist’s handling of light and shadow is noteworthy. Areas of darkness dominate, creating a somber atmosphere that emphasizes the figures solitude. The limited tonal range contributes to a sense of restraint and introspection. There is a deliberate lack of detail in the background, which serves to isolate the subject and direct attention towards their activity.
Subtextually, the drawing might be interpreted as an exploration of interiority and intellectual pursuits. The act of reading becomes symbolic of knowledge acquisition and personal reflection. The figure’s posture suggests vulnerability and a willingness to engage with complex ideas. The absence of color reinforces the focus on emotional depth rather than superficial appearances. It is possible that this work aims to capture a moment of private solace, highlighting the power of literature as a source of comfort and understanding.