1923 Nu Е mi-corps Pablo Picasso (1881-1973) Period of creation: 1919-1930

The artwork presents a female figure in a three-quarter pose, viewed from the left. The palette is restricted primarily to shades of brown and ochre, lending the composition a muted, almost sepia-toned quality. Here we see a study of the human form, specifically focusing on the torso and upper body.
The artist has employed a loose, gestural style; lines are not precise but rather suggest movement and volume through rapid strokes. The figure’s anatomy is rendered with a degree of simplification, prioritizing expressive contour over meticulous detail. The breasts are indicated by broad planes of color, while the abdomen is suggested by subtle shifts in tone.
The womans gaze is directed slightly off-center, conveying an impression of introspection or perhaps a momentary distraction. Her hair, depicted as flowing strands, frames her face and adds to the sense of dynamism within the composition. One arm is raised, bent at the elbow, while the other rests along her side; this positioning contributes to the figure’s relaxed posture.
The background appears to be an indistinct wash of color, further emphasizing the subjects form. The lack of a defined setting removes the work from any specific narrative context, allowing for a focus on the representation of the body itself.
Subtly, there is a sense of vulnerability conveyed through the figure’s pose and the muted coloration. The limited palette contributes to an atmosphere of quiet contemplation, suggesting that this may be a study intended for further development rather than a finished piece. It could also imply a desire to explore the essence of femininity beyond superficial appearances.