1962 TИte de femme 4 Pablo Picasso (1881-1973) Period of creation: 1962-1973

The canvas presents a fragmented portrait of a woman, rendered in a style that prioritizes geometric abstraction and expressive brushwork over realistic representation. The subjects face is deconstructed into planes and angles, with features displaced and reassembled in an unconventional manner. A prominent eye, positioned slightly off-center, dominates the composition, conveying a sense of intense scrutiny or perhaps melancholy.
The artist employed a limited palette, primarily consisting of blues, greens, whites, and grays. The background is rendered in varying shades of blue, creating a cool, somewhat detached atmosphere that contrasts with the more textured application of paint on the figure itself. Thick impasto strokes are visible throughout, particularly in the depiction of the woman’s dark hair which cascades down her shoulders, obscuring parts of her neck and upper torso.
The composition is cropped tightly, focusing attention solely on the subjects face and a portion of her hair. This close framing contributes to an intimate yet unsettling feeling, as if the viewer is intruding upon a private moment. The inclusion of the date 31.12.62 in the upper right corner provides a temporal anchor, situating the work within a specific historical context.
Subtly embedded within this formal arrangement are suggestions of psychological complexity. The disjointed features and distorted perspective might be interpreted as an exploration of identity fragmentation or emotional turmoil. The single, large eye could symbolize vulnerability, introspection, or even surveillance. The overall effect is one of controlled chaos – a deliberate disruption of conventional portraiture that invites contemplation on the nature of perception and representation.