Raphael – Fall of Jericho
Location: Vatican Museums (fresco) (Musei Vaticani (murales)), Vatican.
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In the foreground, a group of figures are engaged in a forceful march toward the city gates. These individuals, muscular and clad in armor or simple garments, strain under the weight of what appears to be a large, rolled banner or standard. Their expressions convey exertion and determination. The artist has employed chiaroscuro – a strong contrast between light and shadow – to highlight their physical effort and create a dynamic sense of movement.
A central figure on horseback, presumably leading the charge, is positioned near the city gates. He appears to be actively engaged in breaching the defenses, with dust and debris swirling around him, indicating an ongoing assault. The presence of fallen figures near the gate suggests casualties among the defenders.
To the right of the main action, a smaller group of children are depicted observing the events unfolding. Their youthful innocence stands in stark contrast to the violence and conflict taking place before them, potentially serving as a commentary on the impact of war on future generations or symbolizing hope amidst destruction. One child holds a musical instrument – a drum – which could be interpreted as representing celebration, divine intervention, or simply an attempt to make sense of the chaos through familiar sounds.
The overall effect is one of overwhelming power and decisive victory. The artist’s use of perspective and dynamic composition creates a palpable sense of momentum, drawing the viewer into the heart of the conflict. The inclusion of children adds a layer of complexity, prompting reflection on the broader consequences of warfare and the cyclical nature of history. The banner being carried suggests a symbolic claim to territory or divine right, reinforcing the narrative of conquest and dominion.