Peter Paul Rubens – Lost Son
1618-19. 107x155. Royal Museum of Art Antwerp
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To the right, a woman in a red garment is pouring liquid from a bucket, possibly water or milk, towards the pigs and the kneeling man, suggesting a scene of abject poverty and degradation. In the background, cattle are visible in stalls, and horses are in the left portion of the barn where a figure lights a candle. The overall atmosphere is one of squalor and despair, emphasized by the rough textures of the wood, straw, and animal hides.
The subtexts of the painting are deeply rooted in the biblical story of the Prodigal Son. The artist emphasizes the sons utter ruin and his descent to the lowest level of existence, where he is reduced to feeding with pigs. The dark, enclosed space of the barn symbolizes his spiritual and physical confinement, a stark contrast to the implied distant normalcy of the farm buildings and trees visible through an opening to the right. The womans action can be interpreted as a gesture of basic charity or perhaps as part of the sons menial and demeaning tasks. The painting serves as a powerful visual representation of repentance, the consequences of sin, and the depths of human suffering.