Peter Paul Rubens – The Consequences of War
1637-38. 206x345. Gallery Palatina Florence
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A heavily armored warrior, representing Mars, the god of war, is depicted with a red cape, pushing forward with aggression. He is being held back by Venus, the goddess of love, who is depicted as a nude, voluptuous woman accompanied by putti (cherubs). Her struggle signifies the attempt to restrain the destructive impulses of war. Disheveled figures, some falling and others recoiling in terror, surround them, illustrating the immediate human cost of war. They are in various states of agony and despair, with some holding instruments like a viol and a lute, suggesting the destruction of culture and harmony.
In the background, a gaunt, wild-haired figure brandishes a torch and a shield, perhaps personifying Famine or Plague, closely following in wars wake. Another figure, possibly representing Civilization, in a dark robe and crown, is seen recoiling from the violence with outstretched arms, along with several putti – one is shown being clutched protectively by a woman. On the left, a figure holds a skull, a memento mori reminding viewers of mortality. Loose papers and scattered arrows on the ground represent broken treaties and the futility of organized peaceful solutions when war erupts.
The paintings subtext is a powerful anti-war statement. Rubens, through this allegorical representation, conveys that war leads to the destruction of love, beauty, peace, art, and civilization itself. It is a plea for humanity to resist the primal urge for violence and to cherish the pursuits that elevate life and society. The overwhelming sense of despair and destruction underscores the profound negative consequences that war brings upon all aspects of human existence.