Peter Paul Rubens – Ascension of Mary
1616-18. Art Academy Düsseldorf
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Here we see a woman, clothed in vibrant blue and red garments, being lifted into the heavens amidst a throng of cherubic figures. A laurel wreath encircles her head, suggesting triumph or divine recognition. Her expression appears serene, almost detached from the scene unfolding below. The clouds surrounding her are not merely atmospheric elements; they seem to actively propel her upwards, creating a sense of momentum and otherworldly power.
The group gathered at the base displays a range of emotional responses. Some appear to be in awe, their faces tilted upward with expressions of wonder or reverence. Others show signs of grief or astonishment, their hands raised as if in supplication or disbelief. A young woman seated near a table upon which rests an open book seems particularly affected, her posture conveying a sense of profound sadness. The presence of the book suggests a connection to scripture and perhaps signifies the transition from earthly knowledge to divine understanding.
The artist employed a dynamic use of light and shadow to heighten the emotional impact. The golden illumination on the figures below emphasizes their humanity and vulnerability in contrast to the ethereal glow surrounding the ascending figure. This interplay of light and dark contributes to the overall sense of drama and spiritual significance.
Subtly, the composition explores themes of mortality, faith, and divine ascension. The lower group represents the earthly realm, bound by human limitations and emotions, while the upper portion symbolizes transcendence and a move beyond these constraints. The painting suggests not only a physical departure but also a symbolic elevation to a higher spiritual plane. The inclusion of the laurel wreath hints at victory over death and the attainment of eternal glory.