Apollinaris M. Vasnetsov – flowering meadow. 1882-1885
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 2 Ответы
дурадское
красота, слов нет, картина наверно за 10 000 тысяч. суперски и ненадо обзывать плохими словами. ведь над этой картиной человек очень старался, трудился. ну здорово. только мне надо было текст. но всё равно я его вставлю в презентацию. ну ладно покааа:! *%"!!!
You cannot comment Why?
The artist employed a muted palette; the dominant tones are earthy browns, ochres, and greens, which contribute to an overall sense of warmth and tranquility. The light seems diffused, bathing the scene in a soft glow that minimizes harsh contrasts. This even illumination flattens the perspective somewhat, drawing attention to the density of vegetation rather than creating deep spatial recession.
A dense thicket of trees forms a backdrop to the meadow. These are painted with darker, more deliberate strokes, establishing a clear distinction between the open field and the shadowed woodland beyond. Glimpses of sky peek through the foliage, hinting at an expansive horizon.
The composition is deliberately simple; there are no human figures or architectural elements to disrupt the natural scene. This absence reinforces the feeling of solitude and immersion in nature. The lack of a defined focal point encourages the viewer’s eye to wander across the expanse of flowers, experiencing the meadow as a unified whole.
Subtly, one detects an underlying melancholy within this seemingly idyllic depiction. The muted colors and flattened perspective evoke a sense of stillness that borders on quiet resignation. It is not a vibrant celebration of life but rather a contemplative observation of nature’s cyclical rhythms – a moment suspended in time, hinting at the transient beauty of the flowering season. The density of the vegetation could also be interpreted as symbolizing an overwhelming abundance, perhaps suggesting a feeling of being both embraced and slightly suffocated by the natural world.