In the Assumption Cathedral. 1887-1895

In this painting, the artist depicts the interior of the Assumption Cathedral, likely during a period of transition or upheaval. Dominating the foreground are several horses, their dark coats contrasting with the opulent, yet somewhat disarrayed, surroundings. They are seen grazing on hay, suggesting an unusual use of this sacred space.
The cathedrals grandeur is evident in the elaborate chandeliers, ornate iconostasis (religious screen), and architectural details, which are rendered in warm, rich tones, but also appear somber and perhaps neglected, with some areas under repair or being worked on by figures visible in the background. The lighting, with its interplay of light and shadow, adds to the dramatic and somewhat unsettling atmosphere.
The subtexts of the painting are open to interpretation but strongly suggest a critique of the churchs role and influence, or perhaps a commentary on the political and social changes of the era. The presence of horses within the cathedral, a space typically reserved for solemn religious services and veneration, creates a powerful juxtaposition. It could symbolize a profanation of the sacred, a loss of spiritual purpose, or an integration of worldly elements into religious life. The busy activity of people working on the interior, along with the subdued presence of the animals, might hint at a declining religious faith or the church adapting to new, perhaps secular, demands. The artist masterfully uses the visual elements to evoke a sense of tension between the sacred and the profane, the eternal and the temporal, inviting the viewer to contemplate the state of the church and society at the time.