Tomb of Sheikh Salim Chishti in Fatehpur Sikri. 1874-1876 Vasily Vereshchagin (1842-1904)

The drawing presents a formal architectural study of what appears to be a mausoleum complex. The composition is dominated by a large, intricately screened facade, rendered in pale hues of white and ochre. A clear, intensely blue sky forms the backdrop, providing stark contrast with the buildings tones and emphasizing its verticality.
The artist has chosen a perspective that focuses on the screenwork – an elaborate latticework of geometric patterns and arched openings. This detail is central to the visual interest; it obscures rather than reveals what lies beyond, creating a sense of mystery and reverence. The repetitive nature of the design suggests order and permanence, qualities often associated with sacred spaces.
Three figures are present within the courtyard area. They appear small in scale relative to the monumental architecture, reinforcing the buildings imposing presence. Their posture – seemingly engaged in quiet contemplation or prayer – hints at the site’s function as a place of pilgrimage or mourning. The positioning of these individuals suggests an active use of the space, despite its solemn nature.
The lower portion of the composition is defined by a patterned plinth or base, which mirrors the complexity of the screenwork above. This repetition creates visual harmony and reinforces the sense of meticulous design that characterizes the entire structure.
The drawing’s subdued palette contributes to an atmosphere of tranquility and dignity. The artists careful rendering of light and shadow suggests a bright, sunny day, yet the overall effect is one of quiet solemnity rather than vibrant energy. It seems likely that this work was intended as a record of architectural detail, perhaps for scholarly or documentary purposes, rather than as a purely aesthetic exercise.