Washing the feet of the apostles
ок.1680
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central figure’s posture conveys humility and service; his elongated form is characteristic of the artistic conventions employed to denote spiritual significance. He appears almost weightless, detached from the earthly plane. The seated figures are arranged in a semi-circle, their faces rendered with individualized expressions – some appear contemplative, others seem surprised or slightly uncomfortable. Each figure is surrounded by a halo, indicating their sanctity.
The architectural backdrop contributes to the symbolic nature of the scene. The doorway suggests transition and access to a higher realm, while the building facade, with its stylized ornamentation, represents an idealized space for spiritual encounter. The color palette is dominated by earth tones – ochre, brown, and red – punctuated by touches of blue and gold. This limited range reinforces the solemnity and austerity associated with religious iconography.
Subtleties in the depiction invite deeper consideration. The varying reactions of the seated figures hint at their individual levels of understanding or acceptance of this act of service. The basin itself, rendered with meticulous detail, becomes a symbol of purification and humility. The overall effect is one of profound reverence, emphasizing themes of sacrifice, servitude, and spiritual cleansing. The artist’s intention seems to be not merely to depict an event but to convey its deeper theological implications through carefully considered composition, color, and gesture.