Impressionism Automatic translate
Impressionism was born by chance. The reason for this was the interesting name of Monet’s painting “Impression. Sunrise ”(we immediately note that“ impression ”is“ impression ”in French). This painting was put on display at the exhibition in 1874. This was the very first performance of a group of artists who united around E. Manet. In addition to Manet, it included: Degas, Monet, Sisley, Renoir, Pissarro and many others. The exhibition, one might say, failed, because the bourgeois public met her with bullying and rude grins. But less than ten years later, similar techniques in painting were picked up by the most famous representatives of salon and academic art, which became the reason for Dage’s remarks: “We were shot, but at the same time we went into our pockets.”
Impressionism is, first of all, the art of seeing reality that has achieved amazing refinement. These words belong to Prokofiev. Aiming at accuracy and maximum immediacy in the transmission of the visible world, artists began to write mostly on the street, or rather, outdoors, thereby raising the importance of etudes from nature, which almost erased the classic look of the painting, slowly and carefully created in a quiet workshop.
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The palette was gradually enlightened, and the Impressionists liberated the painting from brown and earthy paints and varnishes. The so-called "conditional and museum" blackness on their canvases gradually gives way to a diverse and endless play of color shades and reflexes. It was they who were able to immeasurably expand the possibilities of the art of painting, discovering not only the world of air, light and sun, but also the peculiar beauty of the London fog, the atmosphere of the city’s life, the diversity of night light and the rhythms of constant movement.
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