"Till We Have Faces" by C.S. Lewis, summary
C. S. Lewis’s novel "Till We Have Faces" was published in 1956 and written in the spring of 1954. The book is presented as a fictitious autobiography of the queen of the barbarian state of Glom, composed as a lawsuit against the immortal gods. The author transplants the ancient myth of Cupid and Psyche into the world of ancient paganism. The invisibility of the divine palace to human eyes shifts the focus from a fairy tale to the drama of human blindness, self-deception, and faith. The book is created as a stand-alone work and is not part of a series.
The novel has not received cinematic adaptations or major literary awards, but is recognized by researchers as one of the writer’s greatest achievements.
Childhood in Glom and the growing up of the princesses
The story is told from the perspective of Orual, the eldest daughter of the ruler of Glom, named Throm. Glom itself is a poorly established barbarian kingdom on the Shennit River, located near the sanctuary of the fertility goddess Ungit. Orual has been ugly since birth, and her middle sister, Redival, is distinguished by her stupidity and capricious nature.
The girls’ lives change when the royal court buys a Greek slave nicknamed Fox. The old philosopher teaches the sisters Greek speech, poetry, and natural science.
Soon the king marries a second time. His second wife dies in childbirth, having given birth to his youngest daughter, Istra, whom the Fox names Psyche. Orual devotes all his maternal tenderness to the baby. Istra grows into a maiden of unprecedented beauty and gentle spirit.
The Troubles of the Kingdom and the Great Sacrifice
A series of disasters befalls Glom: drought, crop failure, fever, and the appearance of a mountain lion. The common people, in despair, flock to the royal palace. Rumors of Istra’s healing touch compel the inhabitants to pray to the princess and bring her gifts, praising her as the earthly incarnation of Ungit.
When the disease breaks out with renewed vigor, the townspeople’s love is replaced by wild fear. The people see Istra as the source of the curse. The blind Priest Ungit comes to King Throm and proclaims the goddess’s will. He demands that the purest soul in the kingdom be offered to the Great Sacrifice — the Sacred Beast on the Gray Mountain. The lot falls on Istra. The king agrees to give up his daughter, fearing a rebellion.
Orual tries to protect her sister, but her father beats her. Out of compassion, the chief of the guard, Bardiya, allows Orual into the tower where she is locked away. During their final conversation, Istra displays fortitude. The girl calmly awaits her meeting with her invisible husband and believes that death will mark a passage to the beautiful palace of gold and amber she has dreamed of since childhood. The next day, Istra is taken to the Gray Mountain and chained to a sacred tree.
Trip to Gray Mountain
Orual falls gravely ill from grief. After recovering, she begins to study martial arts with Bardia. Morning fencing exercises help the girl numb her heartache. Together with Bardia, she sets out for the Gray Mountain to break the chains, find Istra’s remains, and bury them.
At the site of the sacrifice, the warriors find no bones or traces of blood. Orual and Bardiya descend into a blooming mountain valley, sheltered from the winds. On the banks of a stream, Orual encounters Istra, alive, unharmed, and beaming with joy.
The younger sister tells wondrous tales. The God of the West Wind rescued her from her iron shackles and transported her to the castle. Istra claims to live in a magnificent palace with invisible servants, and that her divine husband comes to her at night. However, there is a condition: she is strictly forbidden to look at her husband’s face or turn on a light.
Orual sees nothing around her except grass, trees, and rocks. Ordinary stream water doesn’t turn into wine for her, as Istra claims. Only the next morning does Orual briefly glimpse majestic walls in the fog, but she convinces herself it’s a nasty illusion. Bardia expresses concern that a dangerous mountain bandit or a real monster is lurking above Istra.
Betrayal and destruction of happiness
Returning to the palace, Orual consults with the Fox. The Greek is certain that Istra has gone mad from the terror she experienced and has become the victim of a vile vagabond. Orual resolves to save his sister from disgrace at any cost.
Orual climbs back up the valley, taking an oil lamp and a dagger with her. She tries to persuade Istra to reveal the face of her night visitor. When Istra refuses to betray her husband, Orual stabs his own hand with the dagger and threatens to kill first his sister and then himself.
Yielding to brutal blackmail, Istra agrees to light the lamp. That night, Orual watches the valley from the other side of the river. A light flashes, followed by a devastating roar of thunder and the stern voice of the god. The valley collapses, a hurricane and a flood begin.
The god, appearing in radiance, announces to Orual that Istra is banished and will wander the earth in toil and tears. The god prophecies to the elder sister: "You too will become Psyche in due time." The exiled Istra leaves, weeping, and Orual returns to Glom with a burned heart.
The reign of Queen Orual
Returning home, Orual covers his face with a thick white kerchief and vows never to remove it in public. After King Throm breaks his hip and dies delirious, Orual ascends to the throne.
To prevent a Persian attack and spare the kingdom from war, Orual duels the Persian prince Ergan. She kills her opponent in front of both armies, freeing the captive prince Trunia. Later, Orual marries her sister, Redival, to Trunia.
Orual’s reign marks a period of prosperity for Glom. With the help of Bardia and Lis, the queen reforms the mines, strengthens laws, builds a stone bridge across the Shennit, and streamlines tax collection. Orual grants freedom to hardworking slaves.
Orual hides her personal loneliness behind state affairs. She loves Bardiya unrequitedly, but hides her feelings. The queen overloads the chief of the guard with endless assignments, keeping him confined to the palace and preventing him from seeing his family. Bardiya works herself to the bone, devoting all her energy to Glom.
Revelations and Severe Judgment
Many years pass. Old Fox dies. Bardiya follows him, dying of exhaustion. His widow, Ansit, openly accuses the queen of cruelty. Ansit says Orual is an insatiable monster who devoured the lives of those closest to him: Bardiya, Fox, and Istra.
Shocked by this accusation, Orual sets off on a journey through neighboring countries. In Essura, she stumbles upon a small temple to the goddess Istra. The priest tells her a sacred legend, but in it, history is distorted: supposedly, the sisters killed the girl out of simple envy of her wealth.
Outraged by the priest’s "lies," Orual takes up writing a book. She decides to compile a detailed lawsuit against the immortals to prove their injustice and cruelty to mortals.
As the manuscript nears completion, the queen begins to be haunted by visions and dreams. In them, she sorts grain, attempts to collect golden wool from aggressive rams, and descends into the underworld. Orual looks in the mirror and realizes the terrible truth: her own face matches that of the multifaceted goddess Ungit. Orual realizes that her love for Istra and Bardiya was a selfish, consuming possessiveness.
In the final vision, Orual finds herself before the court of the dead. Instead of her book, she reads a yellowed scroll, speaking words from the depths of her heart. She confesses that she didn’t want to share Istra with God and preferred to see her sister dead than happy without her.
The judge declares that the gods’ answer has been received: the very revelation of one’s own soul has become the answer. The fox, present at the trial, admits his guilt in teaching Orual superficial wisdom, without understanding the depth of the divine nature.
Orual sees the spirit of Istra, returning from the underworld with beauty for Ungit. In the reflection of the water, Orual sees herself next to her sister: both beautiful, both possessing the form of Psyche. The queen’s mind is enlightened, and her pretensions to heaven vanish. Before the god of the Mountain appears for the final judgment, Orual dies, leaving the manuscript unfinished. The temple’s abbot, Arnom, adds a short afterword praising the wisdom of the deceased queen.
- Exhibition of works by Zurab Tsereteli in the New Jerusalem Exhibition Complex
- EXHIBITION "ROBERT FALK. FRONTIERS OF CREATIVITY" IN THE "NEW JERUSALEM" International Exhibition Complex
- Exhibition of Igor Shirshkov "A - Abstraction"
- Exhibition "Architecture of Memory" 18+
- Exhibition "Architecture of Memory" 18+
- "Scarlet Flower" for staging in the "Theater" was chosen by the audience of the theater
You cannot comment Why?