"Lavrenty Bruni. Stop" Automatic translate
с 12 Сентября
по 17 Октября
Малый Кисельный переулок, дом 4, корп. 2
The exposition will include works by Lavrenty Bruni of different years, including works on paper from the late 80s - early 90s of the twentieth century, allowing you to trace the evolution of the creative path. The central exhibit of the exhibition will be a large-scale six-meter canvas, created especially for the exhibition.
““ E. K. ArtBuro ”opens a new design and gallery space located in Maly Kiselny Lane. For the coming season, our exhibition policy is formed from projects not only of “our” permanent authors and classics of Moscow art, but also of promising young artists who have already declared themselves. We are also starting an experiment on cooperation with galleries that do not yet have their own sites, this will be the Guest galleries program, ”said Elena Eremenko, a partner of the gallery.
The representative of the famous dynasty of Russian artists Lavrenty Bruni works in various techniques, but always prefers one theme - beauty, whether it be the graceful forms of a woman’s body or the delicate contours of beautiful flowers. “Beauty is very difficult, dangerous, you need to keep the line and not fall into kitsch,” says the author, who dedicated the beauty of flowers and the main work of his retrospective exhibition, the very name of which calls to stop, linger, evaluate and rethink the accumulated experience.
Born in 1961 in Moscow, Lavrenty Bruni is a representative of the nineteenth generation of artists, whose ancestor came from Italy to Russia during the reign of Paul I. to congestion and all kinds of embellishments that burden the overall impression. As aestheticism pushed aside the plot and plot in art, bringing the concept of beauty based on purity of color and clarity of form to the fore, this "family" style acquired more and more completeness. In the works of Lavrenty Bruni, a tendency that formed at the beginning of the last century is enriched by the experience of Moscow conceptualism, which was not fully accepted, but still mastered by the master. His ballerinas and flowersgenerated exclusively by the author’s imagination, these are, first of all, the artist’s endless experiments with form, line, color, technique and scale for the sake of striving for a single aesthetic harmony of the image.
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