Personal exhibition of Polina Zaremba "Gold on blue" Automatic translate

In the painting of the young author Polina Zaremba, abstraction is the leading theme. The “non-objective” works presented in the exhibition are filled with combinations of color spots, lines, shapes, planes, with the help of which the author creates a different reality. The world of ideas, natural experiences, dreams and fantasies spills out onto the canvas with a moving brush stroke, a confident movement of a palette knife, and a thin layer of glaze. The desire to express in art an intuitive penetration into an incomprehensible reality leads to the birth of unusual compositions, a series of works in which the color shines brightly with the crystal facets of "picturesque diamonds". Here, the properties of objects are manifested by expressive color, plastic and graphic elements. Many of Polina Zaremba’s paintings - "Aquamarine", "Opal", "Majolica House", etc. - look like iridescent and transparent glaze. Painting takes on an effect that can be compared to stained glass painting.

Non-objectiveness in the abstract compositions of Polina Zaremba does not mean non-depiction. On the contrary, in the series of works "Red River", "Coast", "Gold of the Incas", "Indian Ocean", "March melts", "New Earth", painting acquires material properties - it gravitates towards increased expression and texture, deliberately large relief of paint strokes and a high volumetric paint layer.

In his line of development of abstract painting, the modern author strives for maximum pictorial and plastic expressiveness, reminding the viewer that “an abstract painting is like a piece of ice with a burning flame inside, it should serve as a symbol of spiritual energy” (V. Kandinsky). Her painting in the variety and magic of tones, consonance and harmony approaches music. Paintings "Evening", "Nocturne", "Lilac Day", "Moon", "Garden of Eden", etc. evoke certain emotions and associations.

According to Polina Zaremba, “painting should be real. One that carries the sharpness of perception, a fleeting disappearing image, of something alarming, unattainable, alive. " Such an acute personal experience of the artist, resulting in abstractionism, arouses undoubted interest among the audience.

Galina Luzyanina. art critic.