Heda, Willem Claesz – Breakfast with a Lobster Hermitage ~ part 14 (Hi Resolution images)

This still life painting, Breakfast with a Lobster by Willem Claesz Heda, depicts a lavish spread of food and drink on a draped table. The central focus is a large silver platter laden with a cooked crab and some shellfish. To the left, a peeled lemon wedge lies on a smaller metal plate, suggesting preparation for consumption.

Dominating the upper right side of the composition is a tall, slender glass, likely holding wine. Beside it sits an ornate silver ewer or coffee pot, its polished surface reflecting the ambient light. A stemmed glass with what appears to be green or yellowish liquid is also present, adding another element of sophistication.

Several other objects contribute to the scenes richness: a decorative silver stand with a small bowl, a golden goblet or horn, and a plate adorned with olives and possibly some small fish. In the background, a simple jug and a couple of glasses are visible, along with a loaf of bread and some oysters on a decorative ceramic dish. The overall impression is one of abundance and prosperity, achieved through a sophisticated arrangement of textures, materials, and subtle lighting.

The subtexts in this painting likely relate to the Dutch Golden Age, a period of economic prosperity and artistic flourishing in the Netherlands. The lavish display of food, particularly imported goods like shellfish and wine, signifies wealth and the enjoyment of worldly pleasures. The use of expensive materials such as silver and glass further emphasizes this theme of affluence.

However, still life paintings of this era often carried deeper meanings, prompting reflection on themes like vanitas (the fleeting nature of life and earthly possessions) and temperance. The presence of a peeled lemon, sometimes used as a symbol of sensuality, coupled with the potential for overindulgence suggested by the rich food and drink, might serve as subtle reminders of the need for moderation. The scattered elements and the sense of a meal interrupted could also allude to the ephemeral nature of pleasures. The painting presents a juxtaposition of material wealth and the underlying contemplation of lifes impermanence.