Frederick William Hulme – #35270
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 3 Ответы
Очень неплохой уэльсский пейзажист скорее всего 19 века. Природа вообще прекрасна, пока ее не изуродует человек. Она, как сказал поэт "приют спокойствия, трудов и вдохновенья". Поменьше бы ее преобразователей и покорителей, было бы всем лучше.
P. S. Ошибка с фамилией художника. Ее следует, вероятно, читать как Халм.
Ну вообще эту фамилию переводят именно как Хьюм, например здесь речь о поэте: http://dic.academic.ru/dic.nsf/enc3p/319030 , и вот http://bit.ly/15IgoXn
You cannot comment Why?
Behind the immediate foreground, a cluster of trees rises, obscuring a small dwelling nestled amongst them. This structure appears modest and integrated into the landscape rather than imposing upon it. A group of figures – likely children – are positioned on top of the rocky prominence, their forms blurred and indistinct, suggesting a sense of leisure and connection with nature.
The middle ground extends to reveal a broader expanse of water, mirroring the sky above. Distant hills are visible in the background, softened by atmospheric perspective, creating depth within the scene. The sky itself is characterized by a dynamic interplay of light and shadow, with patches of blue interspersed with cloud formations that suggest an impending change in weather.
The color palette is predominantly earthy – greens, browns, and grays – with touches of brighter hues in the sky and foliage. This contributes to a feeling of naturalism and reinforces the paintings focus on the beauty of the countryside. The artist’s use of light creates a sense of warmth and serenity, while the composition directs the viewer’s eye through the landscape, from the immediate foreground to the distant hills.
Subtly, the presence of human figures within this otherwise wild setting hints at themes of domesticity and harmony with nature. The obscured dwelling suggests a life lived in close proximity to the natural world, while the childrens placement on the rocks implies an unburdened enjoyment of their surroundings. There is a quiet contemplation embedded in the scene; it evokes a sense of peace and solitude, inviting reflection on the relationship between humanity and the environment.