Fra Angelico – 05 Birth of Christ, with the Saints Catherine of Alexandria and Peter the Martyr
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Location: National museum of San Marco, Florence (Museo Nazionale di San Marco).
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THE ADORATION OF THE MAGI
The robes of the Magi are rich and colorful.
These caravans streamed like rays,
To unite in bright light before the cave. In the distance, bonfires burned.
There stood Melchior, Gaspar with his black beard.
And at the entrance to the cave were altars. – Well,
said Balthazar, – I am very old,
and it is not right to delay the adoration.
In the cave was a donkey and a gray ox.
The Infant of the world – in Marys arms.
And around Him was a light, that aura,
which promised golden days.
Yes, golden, the gold of the earth
pales in comparison to Him – he is, in essence, ash.
The Magi with their gifts. And bonfires in the distance.
And the earth is cleansed from its mire.
CRADLE
The walls were gray caves,
Darkness inside, darkness outside –
A darkness that certainly swirled,
With angelic images.
But our pupil is not made to see
The faint outline of higher wings.
The cradle is a negation of the grave.
What did Joseph cover there, in the corner?
(An old poplar was cut down in the yard,
A plane crashed in Africa –
The sum of all events – are there really so few? –
Will be absorbed by a single circle, deep within.)
Cradle... And where do the wise men come from?
A caravan, camels and donkeys.
How much can one comprehend the miracle,
If everything is real – bales, ropes?
The light coming from the cave is bright.
The cradle of light promises us
A change in the center of power, a measure
Of perception. It promises a temple.
You cannot comment Why?
Above the stable, three winged figures – presumably angels – are positioned within a rounded architectural niche, their postures suggesting contemplation or adoration. The architecture itself is rendered with a deliberate simplicity; the wooden beams of the stable roof are clearly delineated, and the interior space is defined by roughly hewn walls. A dark animal, likely an ox, is visible within the enclosure, adding to the rustic atmosphere.
The color palette is restrained, dominated by earth tones – browns, yellows, and reds – punctuated by the brighter hues of the figures’ garments. The artist employed a linear style, with clear outlines defining forms and creating a sense of spatial depth. The faces are characterized by elongated features and large eyes, indicative of a particular artistic tradition.
Subtleties within the painting suggest layers of meaning beyond the immediate narrative. The stable itself symbolizes humility and poverty, underscoring the circumstances surrounding the central event. The arrangement of the figures – the triangular composition – creates a sense of stability and harmony, while their gestures convey devotion and awe. The presence of the angels reinforces the divine nature of the scene. The ox, traditionally associated with sacrifice and service, further emphasizes themes of humility and offering. Overall, the work conveys a profound sense of reverence and piety, inviting contemplation on themes of faith, birth, and redemption.