Vittore Carpaccio – Birth of the Virgin
1502-1504 circa
Location: Academy Carrara (Accademia Carrara), Bergamo.
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Находится в Академии Каррара в Бергамо.
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The arrangement of individuals suggests a narrative unfolding. An elderly man, distinguished by his long white beard and wearing a red cap, stands prominently on the left side of the frame, gesturing towards a group within a recessed doorway. This doorway frames another room, where two younger men are visible, seemingly engaged in an activity that remains partially obscured. A small dog sits attentively at their feet.
In the foreground, several women occupy the space. One is seated near a basin, her attention directed downwards as if writing or studying. Another stands upright, holding a dish and appearing to offer it to a young woman who is positioned centrally within the composition. This central figure gazes intently at the offered dish, her posture suggesting reverence or contemplation. A fourth woman reclines on a bed in the upper right corner of the scene; she appears to be observing the events unfolding below with an expression of quiet serenity.
The artist has incorporated symbolic elements throughout the painting. Above the doorway, a plaque bearing Hebrew script is visible, adding a layer of cultural and religious significance to the setting. The presence of domestic objects – the basin, the dish, the bed – grounds the scene in everyday life while simultaneously elevating it through the solemnity of the figures’ actions.
The color palette is restrained, dominated by earthy tones – browns, reds, and yellows – which contribute to a sense of warmth and intimacy. The use of perspective creates depth within the room, drawing the viewers eye into the central action. Overall, the painting conveys an atmosphere of quiet piety and familial connection, hinting at a significant event or ritual taking place within this domestic sphere.