John Collier – Clytemnestra
1882, 239 x 174 cm
Location: Guildhall Art Gallery, London.
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Clytemnestra is the wife of Agamemnon in Greek mythology. She ruled Mycenae with Aegisthus while her husband was away at the Trojan War. After Agamemnon returned home, she plotted to kill him and Cassandra, a prophetess he had captured, as revenge for his sacrifice of their daughter Iphigenia. Eventually, she was also killed by her own son.
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The painting depicts Clytemnestra, a figure from Greek mythology, standing dramatically in a dimly lit, possibly palatial, interior. She is adorned with a golden headdress and jewelry, and draped in a flowing white and pink chiton. Her gaze is directed upwards and outwards with an intense, almost defiant expression. In her left hand, she firmly grips a large, double-headed axe, which rests on the floor. The blade of the axe appears to be stained, and streaks of red liquid drip from it onto the stone floor. To her right, she is pulling back a richly patterned curtain, revealing a darkened space behind it.
The subtexts in this painting are rich and layered, drawing heavily upon the tragic myth of Clytemnestra.
Retribution and Justice: The most prominent subtext is that of revenge. Clytemnestra is famously known for murdering her husband, Agamemnon, upon his return from the Trojan War. Her motive was twofold: Agamemnon had sacrificed their daughter, Iphigenia, to appease the gods and allow the Greek fleet to sail, and he had also returned with a concubine, Cassandra. The bloodied axe is a direct symbol of the violent retribution she exacted.
Power and Agency: The painting portrays Clytemnestra not as a helpless victim or a passive wife, but as a figure of immense power and agency. Her confident stance, her firm grip on the weapon, and her direct, commanding gaze all suggest a woman taking control of her destiny and enacting her will, albeit through brutal means. This can be interpreted as a commentary on female power within a patriarchal society, and the extreme measures sometimes taken when other avenues are blocked.
The Dark Side of Domesticity: Clytemnestras act takes place within the domestic sphere, the home that Agamemnon returns to. The painting might suggest a dark undercurrent beneath the surface of domestic order, where betrayal and grief can fester into violent rage. The drawn curtain could symbolize the unveiling of hidden truths or the darkness that lurks within the heart of a family.
Tragedy and Fate: As a figure in Greek tragedy, Clytemnestra is part of a cycle of violence and curse that plagues the House of Atreus. Her actions, while driven by personal grievance, also contribute to the unfolding destiny of her family, leading to further bloodshed and the eventual demise of her children. The dramatic lighting and the ominous presence of the axe contribute to a sense of inevitable tragedy.
Ambiguity and Moral Complexity: The painting, by capturing a moment of intense emotion and action, invites the viewer to contemplate the complex nature of Clytemnestras actions. Is she a monstrous killer, or a wronged woman driven to desperate measures? The grandeur and the starkness of the scene contribute to this moral ambiguity, inviting reflection on themes of justice, vengeance, and the consequences of human actions.