Giovanni Battista Tiepolo – Cupids with Grapes (Allegory of Autumn)
1740-50. 145x149
Location: Hermitage, St. Petersburg (Эрмитаж).
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Here we see two figures positioned on either side, their bodies angled towards the center. One holds a cluster of dark grapes while reaching out with one arm as if offering or sharing. His expression is animated, suggesting delight or perhaps mischievousness. The other cherub, clad in red drapery, appears to be playfully tossing a bunch of grapes upwards, his face conveying a similar sense of lighthearted enjoyment.
The two figures on the left and right are positioned lower within the composition. One leans back, seemingly relaxed, while holding a vine laden with grapes. His gaze is directed upward, contributing to the overall feeling of lightness and buoyancy. The fourth figure, situated closest to the viewer, appears to be reaching for another cluster of grapes, his posture suggesting eagerness and anticipation.
The color palette is dominated by warm tones – reds, pinks, and browns – which contribute to a sense of ripeness and autumnal abundance. The cloudy background, rendered in muted grays and blues, provides a soft contrast to the vibrant colors of the figures and the grapes. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, adding depth and volume to the forms.
Beyond the literal depiction of cherubs and grapes, the painting seems to convey themes of plenty, joy, and perhaps even the fleeting nature of beauty and abundance – characteristic associations with autumn. The playful interaction between the figures suggests a celebration of lifes simple pleasures, while their ethereal presence hints at a realm beyond the earthly. The overall effect is one of idyllic harmony and carefree indulgence.