Mauritshuis – Gerard ter Borch - Portrait of Cornelis de Graeff (1650-1678)
1673, 38.9×28.9 cm.
Gerard ter Borch (1617-1681)
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The subject’s attire suggests a position of some social standing. He wears a dark blue doublet with elaborate silver embroidery on the sleeves and chest. A crisp white linen collar is visible beneath a delicately patterned lace tie, further indicating refinement and wealth. The quality of the fabric and the intricacy of the detailing are rendered with considerable skill.
He holds a long, slender walking stick in his left hand, which rests against what appears to be a draped cloth or garment at his side. This prop is not merely decorative; it could signify travel, authority, or simply denote a gentleman’s status. The sticks placement also creates a diagonal line that draws the eye across the composition and adds visual interest.
The artist has included an inscription in the upper portion of the painting, written in elegant script. It identifies the sitter by name and provides dates, anchoring him within a specific historical context. This textual element serves as both identification and a formal declaration of the portrait’s purpose.
Subtleties in the portrayal hint at a complex personality. While his expression is generally neutral, theres a certain intensity in his eyes that suggests intelligence and perhaps a degree of reserve. The slightly parted lips could be interpreted as an invitation to engage or a sign of contained emotion. The overall impression is one of youthful confidence tempered by a sense of gravity beyond his years.
The dark background contributes significantly to the painting’s mood, isolating the subject and focusing attention entirely on him. It also creates a feeling of depth and mystery, inviting speculation about the individuals life and circumstances.