Beggar (Female-fisherwoman). Vel Ilya Repin (1844-1930)
Ilya Repin – Beggar (Female-fisherwoman). Vel
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Painter: Ilya Repin
Location: Irkutsk Regional Museum of Local History, Irkutsk (Иркутский областной краеведческий музей имени Н.Н. Муравьева-Амурского).
The painting "Beggar Woman" came out from under the artist’s brush in 1874. It was painted by the young Repin in the town of Vail, in France. By critics all over the world the picture is recognized as the best creation of the artist’s youth. Despite the fierce struggle of the State Tretyakov Gallery for the right to include the "Beggar Woman" in his exposition, the picture is in the Regional Art Museum of Irkutsk.
Description of Ilya Repin’s painting "Beggar Woman".
The painting "Beggar Woman" came out from under the artist’s brush in 1874. It was painted by the young Repin in the town of Vail, in France. By critics all over the world the picture is recognized as the best creation of the artist’s youth.
Despite the fierce struggle of the State Tretyakov Gallery for the right to include the "Beggar Woman" in his exposition, the picture is in the Regional Art Museum of Irkutsk. For a long time, the canvas was hunted. Deceived the director of the museum in Irkutsk got hold of a masterpiece from the restorers from the Tretyakov gallery. Miraculously, he escaped punishment.
The canvas was painted from life. Repin then spent a lot of time painting in the open air. Poor French girls often posed for pay for various creators. In this way, they received crumbs, allowing at least something to live on. Later, in a correspondence with an old friend, Ilya mentions a model girl. There is discontent in the lines. The girl posed badly - she twitched and made a mess of herself. However, the artist was able to see behind all this a subtle soul and the true state of affairs. The portrait turned out to be complex, deep and very complete. The artist spent little time on its creation, so burning with the idea.
The girl is depicted with a fishing net in her hands. The drawing is very fine, detailed. Tanned, with sunburned eyebrows and weathered skin, the girl is filled with a spectrum of emotions. The colors chosen are restrained, dark. However, the choice of color did not affect the vividness of the picture. Many experts say that it was this work that allowed Repin to establish himself as a brilliant portraitist.
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This is a portrait painting of what appears to be a young girl or child, positioned in the center of the frame. The child has fair skin, rosy cheeks, and messy blonde hair. They are looking downwards, with an expression that could be interpreted as contemplative, sad, or shy.
The child is dressed in worn, patched clothing. Their jacket is made of different colored fabrics, with visible tears and fraying at the edges, suggesting poverty or a life of labor. They are wearing a simple, light-colored dress underneath. Their hands are clasped in their lap, holding what looks like a bundle of coarse material or a poorly made object.
The background is a landscape with a field dotted with small flowers, including some red poppies and white daisies. The sky above is pale and somewhat overcast. The overall color palette is muted, with earthy tones dominating the childs clothing and the field, contrasted with the pale sky.
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