Impressionism – ST-ARTI001aLuncheon of the Boating Party by Renoir
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Игра мазков – Неуловима!!
.
О! как Изящна и Стройна
игра мазков – неуловима,
Она преследует меня..
своей Красой... Невобразимой.
Везде Чертоги.. и Цвета..
бегут волной неуловимой,
Души прощальные слова..
-лишь только блеклый След унылый.
О! Радуйся.., что Ты Живёшь...,
что Ты.. с Цветами в Наслажденьи..
-в Душе порыв есть тот итог..
от Цвета беглого в Виденьи..!!
.
23 декабря 2017 г.
© Copyright: Александр Григорьев 20, 2017
Свидетельство о публикации №117122302249
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.... этот стих с Сайта: Стихи. ру – автора – Александр Григорьев20
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Here we see a clear emphasis on capturing fleeting moments and impressions rather than precise detail. Brushstrokes are loose and visible, contributing to an overall feeling of spontaneity and vibrancy. Light plays a crucial role; it bathes the scene in a warm glow, highlighting certain figures while leaving others partially obscured in shadow. The dappled effect suggests sunlight filtering through foliage or a striped awning overhead.
The arrangement of individuals is complex. Some are engaged in conversation, their faces animated with expressions ranging from laughter to quiet contemplation. Others appear lost in their own thoughts, gazing out at the view. A man, powerfully built and shirtless, stands prominently on the left edge of the scene, his gaze directed towards the group at the table. His presence introduces a note of physicality and perhaps even a suggestion of class distinction, contrasting with the more refined attire of those seated.
The table itself is central to the composition, acting as a focal point for the gathering. The abundance of food and drink signifies prosperity and indulgence. A woman in a dark dress and elaborate hat interacts with a small dog at the table’s edge, adding a touch of domesticity and charm. A young man leans over the railing, seemingly observing the scene below, while another figure, dressed in formal attire, appears to be engaged in an animated discussion.
Subtly, theres a sense of constructedness about the gathering. The arrangement feels carefully orchestrated, suggesting that this is not merely a spontaneous encounter but rather a deliberate tableau. This impression is reinforced by the slightly theatrical poses and expressions adopted by some of the figures. The overall effect is one of idealized leisure – a romanticized vision of Parisian life during a period of social change and burgeoning modernity. The painting captures a moment of carefree enjoyment, while simultaneously hinting at underlying complexities within that society.