Angel Planells – #03371
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Here we see two sets of arms extending from either side of the canvas. On the left, an arm reaches out towards a floating box, its hand grasping at the edges as if attempting to secure it. The right arm is similarly positioned, but appears more detached, with the hand seemingly pointing or gesturing toward a small, framed portrait in the upper right corner. This portrait depicts a man’s face, rendered in a darker, almost sepia-toned style that contrasts with the overall color scheme and suggests a connection to memory or the past.
Between these arms, a series of objects are arranged in an illogical manner. A large, curved form resembling a horn or trumpet dominates the central space, partially obscuring a rectangular block bearing text – LA NOSTRE PEILSIO ERA PERFECTE, which translates from Italian as “Our propulsion was perfect.” This inscription introduces a layer of narrative ambiguity; it suggests a technological or mechanical context, yet its placement within this dreamlike environment undermines any straightforward interpretation. A pocket watch hangs suspended near the lower right arm, further reinforcing themes of time and perhaps lost moments.
The artist has employed a style that blends elements of realism with abstraction. The hands are rendered with considerable detail, while the background is simplified to a flat plane of color. This juxtaposition creates a sense of disorientation and emphasizes the symbolic nature of the objects depicted.
Subtexts within this painting seem to revolve around themes of control, memory, and perhaps a critique of technological advancement. The grasping arm suggests a desire for stability or understanding in a chaotic world. The portrait evokes a longing for connection to the past, while the inscription about perfect propulsion could be interpreted as a commentary on humanitys relentless pursuit of progress, even at the expense of something intangible. The overall effect is one of unsettling beauty and profound psychological depth.