Part 4 – Rembrandt (school) - Saskia van Uylenburgh
1643. 74x60
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman is adorned in what appears to be an elaborate dark gown with a high collar and sleeves trimmed with lace. A necklace, composed of multiple strands and pendants, rests against her décolletage, drawing attention to her neck and shoulders. Her hair is styled beneath a decorative headdress embellished with jewels, further indicating status and wealth. One hand is gently placed upon her chest, adding a touch of modesty and restraint to the pose.
The painting’s subdued color palette – dominated by browns, blacks, and creams – contributes to an atmosphere of quiet dignity and introspection. The brushwork appears relatively loose and expressive, particularly in the rendering of the hair and fabric, suggesting a degree of spontaneity within a carefully considered composition.
Beyond the surface depiction, there is a sense of melancholy or perhaps thoughtful reserve conveyed through her expression. The slight downturn of the mouth and the distant quality of her gaze hint at an inner life that remains largely unrevealed. This ambiguity invites speculation about the sitter’s character and circumstances. The overall effect is one of restrained elegance and understated nobility, characteristic of portraiture intended to convey not only physical likeness but also social standing and personal qualities.